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Tamil Super Hit S 2014 Free Ringtones For
Here are my top 15 Tamil films of 2014, in no particular order.Tamil cut ringtones, tamil love feel ringtone for mobile phones Download thousands of free ringtones for your mobil phone including tamil cut ringtones, tamil love feel,iphone ringtones, Children, Brother & Sister Sentiment, Comedy, Friendship and thousands of other ringtones for your andriod mobile phones including samsung, nokia, LYF F120B JioPhone, Xiaomi and more.Romeo Juliet is a 2015 Tamil romantic comedy film written and directed by. Like every year, 2014 too produced a good number of blockbuster hits and lots of movies have gone down without even being. 2014 has been an interesting year as far as Tamil Cinema is concerned. Enjoy the best quality music.
Tamil Super Hit S 2014 Cracker Of A
Not just a wisp of fresh air. The gamut of emotions, a non-living element ushered in the viewer, as the climax unfolded, was proof enough of what the director, the cinematographer and a sincere script is capable of.Not just a breeze. Despite its slow pace, you couldn’t but fall in love with this one. The debutante director Arun Kumar never lets any of the commercial ‘must-haves’ come in his way of storytelling, still managing to pull off a riveting drama, especially in the last sixty minutes. The real hero of the movie, other than of course Arun is the all-talented Jayaprakash, who living the role of the Pannaiyar, shares some sizzling on-screen romance with Thulasi, who again gives another cracker of a performance.
Certainly not for people who have predefined notions about entertainment. Easily the best suspense thriller in Tamil cinema in recent times.Be warned, this piece of artistic work which is equal parts brilliant and overtly melodramatic is not for all. Debutant director Ramesh gives Tamil cinema the perfect recipe for an investigative thriller ‘Masterchef’ style- taking the ‘base’ of a novel script, topping it with some ever-lively buoyant and fiery screenplay ‘sauce’, giving a few clever cool twists and tweaks to the way it is usually made, and finally adding a pinch of a unique tasty ‘ secret ingredient’.The secret ingredient? – a well panned out guessing game! The tense ‘unease’ and the ‘nail-biting’ tension in the narration, which the director is able to generate, and sustain in the audience might actually be the real success of the film, the director and the producer. Thegidi is proof that the young directors of today are taking Tamil cinema to the next level by storm.
Through out the running time of nearly one-fifty minutes, despite a few lethargic segments, he never lets the audience off the hook. Ram weaves several interesting characters in his tale and takes us on a joy ride filled with rip-roaring jokes and endearing smiles. Definitely, one among the best romantic comedies of the year.The comedy of errors that happen when two photographers visit the primitive village, is told in an engagingly funny way by debutante director Ram Kumar. Despite its moments of logic-less and repetitice blemishes, it’s a must watch for its ‘first of its kind’ inventive theme and super-cool funky treatment. Some liberal doses of gags, sarcasm and tongue-in-cheek irreverence make it a pretty delightful watch.
In style.Vinoth as a screen-writer/ director impresses with a brilliantly crafted con-caper which incorporates elements of humor, drama, adventure, unusual cleverness and professional audacity in perfect measure. The no-nonsense, sensible, hilarious family entertainer of 2014 has arrived. Yet again, a mainstream Tamil movie which succeeds in entertaining without established actors and ‘done to death’ formulas.
With this film, there is no denying the fact that Tamil cinema is on a role with its experimentation of genres. Money is the only thing which doesn’t get clichéd in this insensitive and cruel world. The journey he embarks on, in his mission to make millions in the least possible time-frame and the obstacles he faces is told in an almost fresh and engaging manner by Vinoth. Anything which is done without guilt is not wrong and 2. Sadhurangavettai is basically about a man with a two-pronged ideology 1.
Jigarthanda is a beautiful work of art and is perhaps one of the best genre defying efforts in contemporary Indian cinema. But the film truly belongs to Simha, who has a field day with his punny punches and dialogue delivery, keeping us thoroughly entertained. Both the scriptwriter and the con-man in Karthik are in their elements in Jigarthanda, as the script keeps us guessing throughout. In arguably the best character developments in recent Tamil cinema, we get to witness a multi-dimensional protagonist with grey shades all over, but you have to give it to Siddharth for his courage and vision. The writing is refreshingly brilliant and reflects Karthik’s burning desire to bridge art-house and mainstream cinema, even if it amounts to resorting to the extremes.
The narrative in fact moves from one character to another whenever it feels the urge, and refuses to organize itself around any theme except a good-natured insistence that people are always fascinating to watch, even when they don’t appear to be doing much of anything. In fact it doesn’t even worry about taking the action forward. The movie doesn’t have a structured plot structure, any kind of act breakages, or the much emphasized scene flow.
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